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GASOLINE HEART & ALL GET OUT
8pm Doors / 9pm Show
7/17/2009
GASOLINE HEART & ALL GET OUT
w/ ADAM & DAVE'S BLOODLINE & ROVA ZETELLA
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8pm Doors / 9pm Show

Rock Solid & Rival Entertainment Presents...

GASOLINE HEART
ALL GET OUT
ADAM & DAVE'S BLOODLINE
ROVA ZETELLA

Friday, July 17th, 2009
Doors 8pm / Show 9pm
$8 General Admission
18+ with Valid ID

Gasoline Heart- Gasoline Heart as we know it today was begun eight years ago when Defabrizio decided to strike out on his own, the rationale being that he couldn't get kicked out of his own band. Somehow along the way he became a sort of unwitting conduit for writing the kind of heart-on-sleeve song songs that you associate with masters of the form like Joe Strummer, J Mascis, and Eddie Vedder. And luckily, for those of us who have had the chance to see it, he wasn't really content to belong to the school of Rock That Does Not Rock like many attempting to keep the bloated corpse of rock & roll animated. This is a dude who's life was changed by watching Guns 'N Roses on MTV, for God's sake. Talk about a road to Damascus moment, except this time God was saying "You can take anything you want, but you better not take it from me." "It's rocker John, stoner Jeff, and fucko me." So they're a real band. Guitars, Bass, Drums. They play loud, drink til the sun comes up, and sit around wondering how it got so bright. With John Fortson (ex-Squad Five-0) on bass, Jeff Irizarry on drums, and epic road dog Erich Jackson on guitar, their shows are more like prime time Replacements or The Who than some kind of singer-songwriter stroll in the park.

All Get Out- "Loud and personal,” is one of the ways that lead singer/guitarist Nathan Hussey describes All Get Out. Generally when a band is self-described as loud, imagery of guitars propelling distortion and mood over the audience is the resonance to dwell on and personal is not often the conjoined description. Loud has always been the cryptic way to say a band likes to hide behind blankets of fuzz and hard to decipher symbolisms that keep the players of the song at restraining order distance from the audience. With All Get Out nothing is hidden; everything is personal and loud.

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